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PREDICTIONS 2007

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"300" (R)

The stylish epic "300" didn't impress our critic

By Tom Houseman

The battle of Thermopylae! The greatest battle in the history of organized warfare! Three hundred highly trained, blood-thirsty Spartans take on an army of 7000 led by a king many thought to be a God. One of the most incredibly underdog stories ever, and it’s all told by the master of the graphic novel, the man behind Sin City, Frank Miller! How the hell do you screw something like that up?

If you want to know the answer, just ask Zach Snyder, co-writer and director of 300. Snyder has managed to suck the life out of the battle of Thermopylae, taking what could have been a spectacular film experience and somehow turning it into an extremely tedious two hours of film that you’ll spend wishing you could be watching Sin City again.

The focus of 300, based on Frank Miller’s graphic novel, is King Leonidas (Gerard Butler) of Sparta, who has to defend the country he loves from the mighty Persian Empire of Xerxes (Rodrigo Santoro). Without the support of the Senate, Leonidas must head out with only three-hundred men (possibly the inspiration for the title) to take on the Persian army, which includes archers, ninjas, elephants, a rhinoceros, and several circuses worth of freaks.

The mountain of problems with 300 starts at the base, with the screenplay. None of the characters are developed beyond a single trait. Leonidas is brave, his enemy in the Senate (Dominic West) is evil, his wife (Lena Headey) is, well, hot and naked. The Spartans as a whole are so deeply unsympathetic as a people that it’s difficult to root for them. They force seven year old boys to undergo psychological torture so as to train them to be killing machines; isn’t that wonderful? Leonidas is rude, volatile, and always angry, making him a less than inspiring protagonist.

But at least there are those awesome battle scenes to watch, right? Those have gotta be awesome! Those who go to see 300 in that mindset (probably most of the audience), will be sorely disappointed. When most of a movie is taken up by battle scenes, it’s difficult to keep your interest going, but when the battles are as poorly directed as these, it’s downright impossible. Every scene is in slow motion, so bloodbaths that would be thrilling are instead painfully monotonous. Add to that the unnecessary and distracting narration, and Tyler Bates’s absurdly overdramatic music, and you’re stuck with two hours of mind-numbing battle. If Snyder had taken out the slow motion and the narration, it would have made for a much better movie, especially because it would have only been about half an hour long.

So what good can be said about 300? Essentially, the makeup. You have never seen makeup like this. It’s extraordinary. There are several horribly deformed warriors that feature fantastic makeup, and of course, the bloodbath gave wonderful opportunities for some really excellent makeup. Yep, there’s some great makeup in 300. Of course, There is not one single good performance in the film—not that anyone is given a chance to give one—and the dialogue is absurd. The movie drags on painfully, and is as subtle as a spear to the head. But, hey, check out that makeup.

**/****

 
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